Download a live set (MP3) of Mississippi Gabe Carter on Northwest University's WNUR right HERE!
At twenty-six Chicago's Mississippi Gabe Carter packs a fully strapped gang of flavour for a cat rockin' it solo. Heavily influenced by the raw-boned hard lonesome Bentonia Mississippi sound of Jack Owens as well as Juke Joint proprietor (and Broke and Hungry recording artist) Jimmy Duck Holmes and the legendary Skip James. Carter deftly picks like the masters of that unique southern delta area but his sound is also infused with the dark trancy reverb drenched vibe of North Mississippi. Mississippi Gabe Carter brings it with a depth of insight, understanding, and skills uncommon in blues music today.
Mississippi Gabe Carter's CD Midnight Dream is available via CDbaby.
What follows is an interview with Mississippi Gabe Carter:
When did you make your first trip to
I WAS ABOUT 20 YEARS OLD WHEN I FINALLY MADE IT DOWN THERE THE FIRST TIME. I HAD NO REAL IDEA WHERE I WAS GOING, EXCEPT THAT I WAS GOING TO MAKE IT TO BENTONIA. I MADE IT TO
SO WHEN I FINALLY GOT TO BENTONIA, I MET UP WITH DUCK HOLMES. DUCK IS THE OWNER OF THE BLUE FRONT CAFE, WHICH IS THE ONLY CLUB IN BENTONIA. I KNEW THAT DUCK PLAYED AND THAT HE LEARNED A
How Long had you been playing guitar at that point?
AS EARLY AS I COULD WALK AND TALK, I WAS PLAYING THE GUITAR. WHEN I WAS IN KINDERGARTEN, THE TEACHER TOLD MY PARENTS I WOULD BE THE NEXT BB KING.
Holy Smokes! Where did those skills come from? Your dad played Blues piano. Any other musicians in the tree? Did you play in rock bands or has it always been solo blues for you?
I ALWAYS PLAYED BLUES. THAT'S ALL I EVER PLAYED. I USED TO PLAY WITH THE NEIGHBOR KIDS GROWING UP. WE WOULD PLAY AROUND AT PARTIES, AND LITTLE THINGS LIKE THAT. I HAVE AN UNCLE BY THE NAME OF BEANS
What do you think it was about that Bentonia Mississippi sound of Skip James, Jack Owens and Jimmy Duck Holmes that hooked you? For me it's that keening high lonesome sound of the vocals that just chills me. Was it that or the guitar playing or the whole thing together?
I DIDN'T KNOW WHO SKIP WAS BEFORE I HEARD JACK. BUT, HONESTLY, WHEN I HEARD JACK THE FIRST TIME; I CRIED. HE BROUGHT WATER TO MY EYES. I DON'T KNOW WHAT IT WAS EXACTLY. SINCE THEN THOUGH, SOMETIMES I HAVE FELT HAUNTED BY HIS SPIRIT. AND I DIDN'T KNOW WHAT DUCK COULD DO UNTIL I MET HIM, BUT HE CAN CATCH THAT IN YOU TOO. AND SOMETIMES, IF I'M LUCKY, I CAN DO IT TO MYSELF -- THAT'S WHEN I KNOW I JUST PLAYED ONE HELL OF A SONG.
The thing I've found most fascinating about your sound is that while you've got the Bentonia picking style going on, your voice sounds to me like a younger Junior Kimbrough. Your guitar tone and sound as well really recalls for me the late Mr. Kimbrough's sound. In fact when I first heard your stuff I thought it was some unreleased Junior. I'm reminded of the solo stuff on Kimbrough's Meet Me In The City. How important has the
I DO REALIZE THOSE SIMILARITIES. THE REASON PEOPLE HEAR THAT IS BECAUSE THERE IS ONLY
If possible can you explain what you consider those "tools" to be?
ANYONE PLAYING BLUES HAS TO BE ABLE TO FEEL WHAT HE IS PLAYING. IF THE PLAYER DON'T FEEL IT, NOBODY ELSE IS GOING TO FEEL IT EITHER. EVERYTIME I PLAY A SONG IT'S DIFFERENT FROM THE LAST TIME I PLAYED IT. AND I ALSO WON'T PLAY THE SAME SONG TWICE IN A ROW, BECAUSE THE SECOND TIME THERE WON'T BE ANY GAS LEFT. "FEELING IT" IN BLUES DOES NOT MEAN THAT YOU HAVE TO HAVE HAD A SHITTY LIFE. IT MEANS YOU GOT TO BE SUPRISING YOURSELF AND SUPRISING EVERYBODY ELSE AND BEING COMFORTABLE WHEN YOU'RE DOING IT.
While we're talkin' tools, it looks like you use a number of different guitars. What do you use in the way of guitars and amps?
I JUST HAVE A
Tell me about gigs. I don't see a show listing on MySpace. Due to what I consider the uniqueness of your sound...you're not exactly playing Sweet Home
NO, I DON'T FIND IT HARD TO FIND GIGS. BUT I DON'T GO LOOKIN FOR THEM. IF SOMEBODY WANTS ME TO PLAY AND THEY'VE GOT MONEY TO PAY, I'LL BE THERE. THE SUMMER IS A BUSY TIME FOR ME BECAUSE I PLAY ON THE STREET ALMOST EVERYDAY AND THEN THROUGH THAT PEOPLE COMMISSION ME TO PLAY AT WHATEVER THEY HAVE LINED UP.
Speaking of gigs where is your favorite place..city...club...etc...to play?
I LIKE TO PLAY FOR BIG CROWDS. THE BIGGER, THE BETTER. ABOUT A MONTH AGO I PLAYED AT A HUGE PIG ROAST FOR ABOUT A THOUSAND PEOPLE. THAT'S WHAT I LIKE.
Besides the Bentonia boys who else do you dig? Not necessarily influences but let's say you have a five disc cd player. If I come to your house today who would you be playing?
I LIKE SOUL AND
Any players in your area folks should be aware of that they may not have heard?
IF THEY ARE INTO SOUL-BLUES, MORE CITIFIED BLUES, THEY SHOULD LISTEN TO MY FRIEND MR. LURRIE BELL. LURRIE AND I PLAYED TOGETHER FOR A LITTLE PARTY A WHILE BACK, AND HE IS ONE HELL OF A PLAYER.
You recorded Midnight Dream with Jean-Yves Munch. Who is he?
JEAN-YVES MUNCH IS A SOUND ENGINEER WHO TRAVELS THE WORLD MAKING DOCUMENTARIES. JEAN-YVES SAW ME PERFORM AND FOUND OUT THAT I DIDN'T HAVE ANY RECORDINGS. SO HE OFFERED TO RECORD ME AT THE STUDIO HE HAS IN THE AREA. IF IT WASN'T FOR HIS RESPECT FOR MY PLAYING, I WOULDN'T BE GETTING MY MUSIC AROUND THE WORLD NOW.
Anything else folks oughta know about you?
THEY SHOULD KNOW THAT I AM ONE HIGHLY FLAVORED MOTHER.
Mississippi Gabe Carter @ MySpace
STEAL THESE MP3s from Mississippi Gabe Carter.
Tell The World MP3
Don't You Know MP3
Midnight Dream MP3
Mississippi Gabe Carter's CD Midnight Dream is available via CDbaby.
O' course Gigatons of Thanks go to the UKs DJ Papa Hillfunk
for turning me on to Mississippi Gabe Carter!
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