30 August 2011

WiLLiAM BROWN - MiSSiSSiPPi BLUES

One of my all time fave sites is Metafilter.  My fave poster on that site is Y2Karl because of posts like this:

William Brown - Mississippi Blues


William Brown was a man who recorded a handful of blues on Sadie Beck's Plantation on July 16, 1942 for Alan Lomax. Once thought to be the same man as the Willie Brown who played with Son House and Charley Patton--and was immortalized in Robert Johnson's Crossroad Blues--the consensus now is that William Brown was a different man, about whom we know next to nothing. Certainly, the handful of recordings we have that feature him supports this. The Willie Brown who recorded Future Blues and M & O Blues was an archetypal Delta bluesman, with both songs being stripped down versions of Charley Patton's Screamin' and Hollerin' the Blues, among others, and Pony Blues, respectively. The William Brown who recorded Mississippi Blues, Ragged and Dirty and Make Me a Pallet on the Floor plays and sings nothing like that Willie Brown. That we know nothing about him and never heard any more of his music is one of the many tragedies of recorded blues.

Mississippi Blues was tabbed early on by Stefan Grossman, resulting with it being the Stairway to Heaven of Mississippi blues, according to John Miller at Weenie Campbell, and, by a variety of sources, it is a song regarded as one Delta blues everyone must learn.

But, although, recorded in the Delta, it is in fact the least Delta blues of all Delta blues, being based on a
piano instrumental, Hard Times by Charlie Spand or , possibly, Sunrise Serenade by the Glenn Miller Orchestra, depending upon who you read. Weenie Campbell's forum leans toward Spand, for what it is worth.

And, as for his
Ragged and Dirty, that seems to be based upon Sleepy John Estes Broken Hearted, Ragged and Dirty, Too. Which is a masterpiece in itself.

Whoever, he was, and which song inspired him,
Mississippi Blues is a wonder, far more sophisticated and jazzy than anything else Lomax recorded. So, who was William Brown and where did he learn to play like that ? We will likely never know. But, at any rate, almost all of his recorded output can be found at The Roots Music Listening Room Listener's Request page, along with one Worried Life Blues by David Edwards--that is, the late David "Honeyboy" Edwards.

(By the way, because of Willie Blackwell and William Brown's
Four O'Clock Blues, I came to be a grower of Four O'Clock Flowers.)

Tabs for
Mississipi Blues can be found at Olav Torvund's Guitar Site and SteveMcWilliams tab section at Acoustic Finger Style. Guitar

On CD, it can be found on the Library of Congress lp
Negro Blues and Hollers, reissued by Rounder Records as well as on Document Records' Mississippi Blues & Gospel 1934-1942. Both of which seem to have gone out of print for the time being, alas. So, get thee to a used record store for those. Both are well worth having.
posted by y2karl



 

JOHNNY JENKiNS - WALK ON GUiLDED SPLiNTERS

 inspired by my pal Boogie-
Johnny Jenkins: Via Wiki::
"In the 1960s Jenkins was the leader of the Pinetoppers, who employed a young Otis Redding as singer. As Jenkins did not possess a driver's license of his own, the young Redding also served as his personal driver. During a recording session in 1962 organized by the band's manager Phil Walden, Jenkins left forty minutes of studio time unused. Redding used this time to record a ballad entitled "These Arms of Mine" on which Jenkins played guitar. In 1964 Jenkins released an instrumental single called "Spunky." (Volt V-122)
With Phil Walden concentrating on Redding's flourishing career, Jenkins was sidelined and it was not until after Redding's death in 1967 that Walden again concentrated on Jenkins's career. In 1970 Jenkins released the album Ton-Ton Macoute!. The opening track, a cover of Dr. John's "I Walk on Gilded Splinters", has been sampled by numerous musicians, including Beck and Oasis. Several tracks on Ton-Ton Macoute! feature Duane Allman on guitar and Dobro.
With Walden again becoming involved in other projects, Jenkins became disillusioned with the music industry and did nothing of note until 1996. By then Walden had persuaded him to make a comeback, and he released the album Blessed Blues recorded with Chuck Leavell. Two further albums followed; Handle With Care and All in Good Time.
Jenkins died from a stroke in the same town he was born: Macon, Georgia. He was 67."

















29 August 2011

28 August 2011

21 August 2011

VALERiE JUNE

@ Facebook // OnLine // MySpace // Twitter








AMERiCANA WOMEN documentary trailer

Here's some terrific women making some very fine music.
Go HERE for more information on the MusicBox Film Project.

20 August 2011

THE COTTON EXCHANGE - Vinyl Only Subscription-based Blues Label

So evidently my pal Jay Martin has been holding out on me:


Welcome to THE COTTON EXCHANGE—your centralized forum for the finest in vinyl-only blues re-issues and curated historic recordings. The Cotton Exchange is a subscription service that offers its subscribers 2 LPs quarterly (8 LPs a year) of the finest in the blues tradition, along with exclusive original liner notes and other ephemera.
From classic bluesmen like Bukka White and Blind Willie McTell, to the modern greats such as Otha Turner, the Cotton Exchange will produce high-grade, 180-gram blues releases—many of which feature unreleased recordings, music that has never been on vinyl before, or has been out of print for years and is not available in its original form anywhere else.
Welcome to a quarterly blues picnic with all the fixins. The Cotton Exchange is your gateway to home delivered blues celebration.
Subscribe and get 8 LPs a year (2 per quarter) for $100, including shipping!
(U.S. addresses only)

YOUR FIRST 2 RELEASES WILL BE:
Junior Kimbrough:
DO THE RUMP
Fred McDowell:
AMAZING GRACE
Junior Kimbrough Fred McDowell

Additionally, each quarterly package comes with exclusive liner notes by notable journalists, musicians, collectors and enthusiasts, as well as added surprises to compliment your blues experience. The first installment features liner notes from artist Tim Delaughter (The Polyphonic Spree, Preteen Zenith), musicologist Jay Martin, and Grammy-nominated producer David Katznelson.
And for a limited time, the first 50 subscribers will get a FREE BONUS album! Choose either THE ROOTS OF HIP HOP, or WOLF’S AT THE DOOR.

HASiL ADKiNS - Early Morning Blues from the forthcoming documentary My Blue Star: The Life and Hunchin' Times of Hasil Adkins

Download the audio of ths video below courtesy of the film's director Ron Thomas Smith :: mp3

08 August 2011

FRANK FAiRFiELD - Forward! Into The Past!

@ Facebook // MySpace // iTunes // Amazon mp3 & Vinyl

"Music is something that humans do," he says. "In every corner of this planet, wherever there has been a human, there has been music. But music was not for sale before the first big gramophone companies came into being, it was just natural. Now it's like the difference between food and McDonald's. Mashed lymph nodes wrapped in cellophane isn't food, but we're so used to the barren landscape we don't question it. That's how I feel about today's music, it's barren. But there's beautiful music out there if you're just willing to take a look." - Frank Fairfield via The Guardian




   Folks spend a lot of time trying to explain Frank Fairfield. Not explain him away, but just explain. Or  try. To decipher. Perhaps because Mr. Fairfield, and more importantly his music, is genuine, honest and dare I say, earnest. He and his music are not the least bit retro, cloying or precious...and that makes some people nervous. One must remember he is mortal clay and not some Tom Joad-like materialized ghost from, as Haggard would sing, the good olde days when times were bad. Fairfield is no John-Boy.



Only in his late twenties, Frank Fairfield makes music that appears to arrive from a rent in the dark, musty, well-worn purple curtain of time. One could just as well imagine Fairfield taking the stage at the 1926 Grand Old Opry, going on before The McGee Brothers and Uncle Dave Macon, as you could at the Old Time Fiddle Convention in Galax, Va or Portland's Pickathon, or San Francisco's Hardly Strictly Bluegrass festival. 

Frank Fairfield plays antique music smudged only by modern recording technique and sonic sensibilities. If you didn't know better you might think you are hearing a well-made field recording of Bascom Lunsford or Charlie Poole. As writer April Fecca wrote, Fairfield's sound is, "so authentic that you wait to hear the hiss and pop of old vinyl."



Frank Fairfield's new album, Out In The Open West , his second for the terrific Tompkins Square record label from NYC, is out now.  

(Btw, you gotta check out Tompkins Square Records! In the wasteland of todays record label survivors, these guys are a gem. I have their 3CD deluxe set called People Take Warning ! Murder Ballads & Disaster Songs, 1913-1938 and it's simply amazing. Check out their catalog. They are truly a special company.)



If you are a fan of serious old-timey, American music with out the trappings that come with some ex-punk rock dude gettin' his ironic hipster roots n' 'stache on, and you're not down with yesteryears sallow, fake-tanned and sensitive-brand Nashvilleified & Bransonated post-Soggy Bottom Boys "bluegrass" pop tripe, then Frank Fairfield is your man







Video from 2011 THE NORTH MiSSiSSiPPi HiLL COUNTRY PiCNiC

Via documentary film maker Max Shores
Audio of each artists full set is available for free download as well. 
Check the video details on YouTube for more info:

















07 August 2011

GUADALUPE PLATA - Pollo Podrio!

All Guadalupe Plata Bandcamp sales during this summer will be donated to the Muddy Roots Music Festival Official Film Project. Go HERE to name yr price. GET SOME!


Guadalupe Plata - Pollo Podrío from NYSUfilms on Vimeo.

06 August 2011

DIA INTERNACIONAL DAS MONOBADAS

 So, evidently this is,

"Ubangi Stomp Club, in association with Pablo Picante, presents La Noche De Los Monobandas (Night Of The One Man Bands) . Featuring Amazing One Man Band (Uruguay) vs The Fabulous Go Go Boy From Alabama (Brazil)"

It's so awesome how international this sound is now.  



Translation from a Brazilian blog:: 

April 29 was declared as "International Day of 'monoband," people who play alone
several instruments at once.

In several days 'monoband' will perform in different cities of Brazil and the universe, to express visually and musically their independent way of making art.

If you are a monoband this is your day to mess around and annoy or delight everyone with their sound and spread their art all over the city.

Introduce yourself and register your concert video. The videos will be joined subsequently released on the Internet.





In Sao Paulo:

1 - Xtreme Dog Blues & The Fabulous Go-Go Boy From Alabama in the Cathedral Square 15hs.

2 - Amazing One Man Band & The Fabulous Go-Go Boy From Alabama on the sidewalk of Avenida Paulista - Consolation between MASP and the 19hs.

Other performances take place in Curitiba, Blumenau, Belo Horizonte, Buenos Aires, the U.S. and Europe.


JOHN SCHOOLEY Should Be A Bigger Fckn Deal.