Showing posts with label scott h Biram. Show all posts
Showing posts with label scott h Biram. Show all posts

23 April 2014

SCOTT H BiRAM - Nothing But Blood (2014)

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America's Sweetheart.
Scott H Biram, America's lowdown sweetheart of the punkass country/blues has returned with Nothing But Blood, his most distilled Biramness yet. It's everything his long time fans love about his work, smart, thoughtful lyrics (unless it's time to PARTY!) and it's bound to atttract new fanatics as well.

This is music for Texas-sized homewreckin' and heart-broken heartbreaking, beer ( & whiskey! )
drinkin' and hell raisin', and coming to see Jesus. The classic Biram balance of the southern sacred and country profane.

Scott Biram's guitar playing is at its most nuanced on this album, his relelntless schedule has honed his work well. No less ferocious (as needed) but more soulful. He's got a tighter grip on it. But it's always identifiable as him.

From the taut hard country blues of Slow & Easy, with its overlay of beautifully assertive yet delicate acoustic finger work, to the lonesome vet country of 'Nam Weed (a song Waylon should of had a chance to sing) and the heartbreak of Never Coming Home, to the the gently rockin' southern gospel of When I Die, Scott H Biram is a dirty Springsteen, and there ain't nothin' wrong with that. If anybody could cover the Nebraska album, it'd be this guy. Instead of Jersey songs about cars and girls, he plays Texas-American country music for meth heads and bankers, ballers and Kings. and Jesus.

Always a man with a sharp ear and keen sense for feel, ambiance, and tension, Scott Biram has grown to be a comfortable but lonely, dangerous country store of broken down shit and kickin' ass.

He has had a string of fine albums that I'd recommend to almost anyone. Nothin' But Blood continues that streak, compiling details like none previous. Shadings, darker corners, a man alone. It's truly an exceptional piece of work. Oh sure, maybe he gives you a couple three songs more than needed, but can you have enough Scott H Biram? I can't. And that's for damn sure.

We are (or you oughta be) to the point that with out question we just buy Biram's albums because it's guaranteed quality and Scott does not disappoint here. He's taken his business to another level. Subtle and lovely at times, wicked, weird and cutting where needed. He is worthy of your support ;0)

Here's a track by track rundown::

1.) The opener Slow and Easy is an album highlight. His vocal delivery while never...pretty, is tough and tight with a great sense of phrasing. It's stronger than ever here, richer, a little more refined, older. He's always been terrific at setting a mood, a tension, and that's put to good use here.

Always a master at olde-timey covers and forms, Biram's 2.) Gotta Get To Heaven is just what you think it'd be. A ball of a gospel, the kind he does so well. Acoustic acoustic country gospel that wrassles with the devil and spreads The Good News.

In fine Biram style he must follow the sacred with the profane. Track 3.) Alcohol Blues. A dirty mouthed grinding blues with a short, a tight Texas guitar solo in cowboy boots tracking mud across your clean floor. Van Halen should cover this.

Speaking of covers, 4.) Never coming home should be covered immediatly by Willie Nelson.

5.)  WHISKEY (can sleep in my bed.) Lawd have mercy!

6.) is Jack of Diamonds as interpreted by.

7.) Nam Weed. On an album of great songs, Nam Weed is a stellar stand out. I heard this song live earlier this year and it slayed me.

8.) Backdoor man is what you think it is, getting dirty with Mr. Wolf.

9.) Church Point Girls. Biram always has at least one Slayer as (fillinblank) song. This is the rockabilly version. Super rock killer.

10.) Let's go with ol' man Biram back to the foothills of somewhere south, and early in the olde timey century. He's got Trouble.

11.) Biram knows his way around his studio and thats amply apparent on Around The Bend. It's the one-man band Biram in the studio making Melvins and Slayer weep. Major party action buzz on.

12.) Lovely. A Texas thunderstorm at night, let's sit on the porch and listen to Scott sing a reverbed version of Amazing Grace in a voice I have never heard from him before, small-town, church, Elvisian. He's singing for someone and it's none of our business just who. Moving.

13.) is a cover of Son House's John The Revelator done with Mephian Austinite rockster Jesse Vain.

14.) and we close the Scott H Biram show with When I Die, another classic Biramized gospel song. He's so good at the gospel stuff, it's wicked. You'd think he had a personal relationship with it. The Man In Black said, If they ever outlaw religion, I hope there's evidence to convict me.

That's it. The run down. Go give him your money. You're welcome.



23 March 2014

Mr. Scott H. Biram (Originally posted 07/03/07)


Scott Biram , like Hank Williams the 3rd, takes an old style of music and kicks it's ass so hard that it becomes new again with out becoming retro or kitsch or gimmicky in any way. Mr. Biram's love and knowledge of the deep and real early blues and country music is obvious and infectious as is his love of metal and bluegrass. If you've never been to see Biram live you are missing out on one of the best live performers i've ever had the pleasure to experience.


Not one of those weak bastards content to give you the same safe and boringly stoopid show night after night Scott mixes it up between covers you might have heard if you know yr early american music history well enough and his um...hits. No he's never had a hit record but from the audience response you'd never guess it. Even the songs you know and love from the Biram catalog will be played slightly different.

For me, and i'd assume for Biram as well, it's that element of surprise that keeps his show always fresh and always a thrill. Scott Hiram Biram hails from Prairie Lee Texas but is mainly from San Marcos Texas (zip 78666!) which lies halfass between San Antonio and Austin. That ain’t too far from Hondo, but far enough from Big Foot. Biram and his truck got flat creamed by a semi doin’ 75. One month later he’s back on stage at Austin’s famed Continental Club in a wheelchair with an IV hangin’ out his arm and flailin’ that ’59 Gibson hollow body like a man born again.

Scott Biram plays like a man possessed by the thought that this could by-gawd be his last gig ever and if he’s gonna die afterwards he’s takin’ yr ass and soul with him. A right fist full of bluegrass, the left filled with metal, and a hard gut full up on the deep, serious-ass, hard time blues. You’ll be praying fast for Biram to hit you again.  






05 March 2013

SCOTT H BiRAM Update and Etc Etc...

I had the delightful opportunity to see Scott H Biram recently. The first time in a couple years and I'm happy to report that the show was top shelf, though sparsely attended, due to the first hard rain in months I'd reckon. 
The favorites were did, along with some powerfully Biram'd covers of Scott's homeboy Doc Watson, fellow Texan Mance Lipscomb, and a couple others. The best part of the night, besides seeing old friends, was the new songs. Covering a variety of styles the songs are classic Scott H Biram. Powerful, heavy country and blues as only he can do. 
One song in particular, his first about a vet called 'Nam Weed (written ten years ago Scott tells me) rivals the emotional power and poetry of songs like Lost Case Of Being Found and Still Drunk, Still Crazy, Still Blue. Scott says he's hoping for a fall release of the new album but no guarantees. 











03 December 2011

MERRY XMAS from SCOTT H BiRAM!

Bummed you missed out on those 5 bonus tracks from Biram's Bad Ingredients?
Me too. Scott's got yr Xmas present right HERE.

31 October 2011

SCOTT H BiRAM cooks with BAD iNGREDiENTS


Scott H Biram's Bad Ingredients album is aptly titled. His most blues-based work, is also his most sonically dynamic and lyrically accomplished. 

Demons seem loose-leashed, tempered, but no less vicious, no less snarling. Brother Biram's straight in control now and crackin' the whip.

Scott's roots grow deep and strong and his guitar work is at it's best here, concise, muscular and nimble. His stomp-box sounds like its made of basalt and iron wood. Biram's trusty '59 Gibson hollowbody has always been a weapon in his hands, throwing out dirt clods of distortion. The tone cuts like rusty jagged sharply-honed knives or touches like a dog's paw. 

All that mess is refined here not only by Biram's relentless touring, but by his obvious comfort in his own studio which he uses now as an instrument, the fifth Biram if you will. Scott has never been skeered to broaden and challenge his blues/country/metal sonic palette but he's got it down to a science this round and his fans will happily line up and volunteer to take his medicine. Biram never delivers snake oil. He's 100% patent and potent. 


Bad Ingredients is not sonically enhanced in any way that would not allow him to throw the same party live as he does in the studio, but Scott's a listener.  As such, he can throw down his sound and reinforce it with floydian textures in the nearly epic fourth track, Victory Song or make it sound like he and his acoustic are sitting across from you on a moonlit back patio.

The slow, dirty blues of Born In Jail walks on hind legs with grace at dusk, scratching signs in the dust and spitting raw sapphire-toned leads. Biram's breakin' it down for those who came before, son.

Broke Ass tells a story you're awful gawddamn glad isn't yours, but you know when he sings, "yeah, come on down and take a look at my bad dream" that if it's Biram's, he'll somehow live through it.

Mojo Hand i'm totally diggin'.  Biram likes taking chances, just as he has in past work with Black Diamond Heavies and them. Accompanied here by Austin's Walter Daniels on saxophone, this is classic Scott H Biram. 
Hollerin', stompin, and gettin' nasty. 
Y'all read the story behind the song right Here.

His cover of bluegrass master Bill Monroe's Memories Of You Sweetheart is plaintive and real. As it should be. Biram played in bluegrass outfits early on and it remains a powerful element of his style. The other cover here, Lightnin' Hopkins' Have You Ever Loved A Woman displays Biram's formidable and burly picking skills.

I gotta admit, Killed A Chicken Last Night is Biram 101. It's like he's covering himself, but doing it better than the original. Let that boy boogie-woogie. It's in 'im and its got to come out.  Y'know, I don't think he's done an album without a chicken song or two. But he can always be trusted to put one song on the album that makes you say, "huh?" but you end up diggin' it anyway. Gotta respect that. 

Black Creek Risin' is Biram's "I Asked For Water...," vs. Cool Drink of Water vs I Asked For Whiskey.  Ain't a damn thing wrong with that, and that ain't sellin' nothin' short neither.  It's straight up classic blues that'll make yr straightblues hatin' or lovin' pal turn and cock their head and say, "what's this?"
Hang Your head and Cry is, again, classic Biram. 
A rompin' Stompin barnburner and barbeque, ya muthrs.
 
I don't know if Scott has been listening to some Dylan/Guthrie-related junk or what, but the lyrics continue to expand upon the growth we've seen with his last three albums.  Musically he shines hard. There is a serious and effortless confidence here that is at once familiar, and inspiring. 

Scott H Biram is like a quality self-built dirt-floored yard shed. Filled with all the tools you love. Old Loppers and big ol' saws from your Grandpa's tool box. A couple over-size wood-handled standard screw drivers that more than do the job. Your first vice-grips.  Bags of rich, deeply  fertilized and loamy dirt. Stacks of sacks of chicken feed. A box of those good red shop rags. But back behind the shed? Bad luck and trouble crawls in the dark through the scrub wood and grass, a dark bird calls it's lonesome song and the hard wind howls, carrying lost voices  through the live oak.

I don't believe in best anything. But if I did, Scott H Biram's Bad Ingredients would be high on that list. Biram brings what he knows, and what he knows is that you don't get many chances. So you better have a good time, break some hearts and get broke. You damn sure better take it to the stage right and full on. 

Scott H Biram more than deserves your money. 
Send it to him and buy all of his stuff.

 











19 October 2011

MANCE LIPSCOMB TRiBUTE with SCOTT H BiRAM, WALTER DANiELS, MATT PURYEAR






SCOTT H BiRAM - New Video of Scott's cover of Omie Wise

Scott Biram has a deep catalog to choose from but for some reason his cover of Omie Wise (the version from his Rehabilitation Blues ep)  has always moved me. If I had to pick my 3 favorite Biram songs this would be on the list. He's a little older now, his voice a little richer, and he does a beautiful job with the song. 

Scott H Biram's new album Bad Ingredients is out now and, like all his albums, it's a must own.





06 October 2011

SCOTT H BiRAM - I WANT MY MOJO BACK - New Video from the New Album Bad Ingredients


08 September 2011

---> MR. SCOTT H. BiRAM - NEW RECORD---> Bad Ingredients <---October 11th!


Your man Scott Biram has himself a pretty wicked blues album coming out on OCTOBER 11th.
You may go HERE for a free mp3 of Don'tcha Lie To Me. 

Here's the seemingly immortal Scott's tour schedule. I feel sorry for those who havn't seen him live and I'm envious of those who are about to. I'd drive a couple of hours to see Scott play. A great entertainer, outstanding musician, he's one of our best:


Scott H. Biram Tour Dates

Sep 8—Nashville, TN @ The End
Sep 9—Huntington, WV @ V Club
Sep 10—Pittsburgh, PA@ The Smiling Moose
Sep 11—Erie, PA @ The Crooked i
Sep 12—Buffalo, NY @ Mohawk Place
Sep 14—Rochester NY @ Bug Jar
Sep 15—Winooski, VT @ The Monkey House
Sep 16—Dover, NH @ Dover Brickhouse
Sep 17—Newport, RI @ Jimmy’s Saloon
Sep 18—Cambridge, MA @ TT The Bear's Place
Sep 19—New York, NY @ Mercury Lounge
Sep 20—Brooklyn, NY @ The Rock Shop
Sep 21—Asbury Park, NJ @ Asbury Lanes
Sep 22—Washington, DC @ Black Cat Backstage
Sep 23—Philadelphia, PA @ World Cafe Live Upstairs
Sep 24—Richmond, VA @ The Camel
Sep 25—Durham, NC @ Casbah
Sep 27—Charleston, SC @ The Charleston Pourhouse
Sep 28—Savannah, GA @ The Jinx
Sep 29—Atlanta, GA @ Star Bar
Sep 30—Birmingham, AL @ The Bottletree


Oct 1—Jackson, MS @ Duling Hall
Oct 2 – New Orleans, LA @ Chickie Wah Wah
Oct 3—Baton Rouge, LA @ Spanish Moon
Oct 5—Lafayette, LA @ Blue Moon Saloon
Oct 6—Houston, TX @ The Continental Club
Oct 7—Dallas, TX @ AllGood Café
Oct 8 —Austin, TX @ Continental Club +
Oct 14— Hunter, TX @ Riley’s Tavern +
Oct 27 —San Antonio, TX @ Sam’s Burger Joint +
Oct 28 —San Marcos, TX @ Triple Crown +
Oct 29—Austin, TX @ Scoot Inn +


Nov 5—Oklahoma City, OK @ VZD’s +
Nov 7—Denver, CO @ Bender’s Tavern +
Nov 8—Aspen, CO @ Belly Up Aspen +
Nov 10—Salt Lake City, UT @ Urban Lounge +
Nov 11—Alta, WY @ Trap Bar At Grand Targhee Resort +
Nov 12—Missoula, MT @ The Palace +
Nov 15—Vancouver, BC @ Media Club +
Nov 16—Seattle, WA @ Tractor Tavern +
Nov 17—Portland, OR @ Dante’s +
Nov 18—Arcata, CA @ Humboldt Brews +
Nov 19—San Francisco, CA @ Bottom of the Hill +
Nov 20—Los Angeles, CA @ The Satellite Club +
Nov 22—San Diego, CA @ Casbah +
Nov 23—Phoenix, AZ @ Rhythm Room +
Nov 26—Austin, TX @ The Mohawk +

+ Record Release shows 

Hiram sez:

My SEPTEMBER EASTERN USA TOUR STARTS TOMORROW in Nashville, TN!!
(Part of this Eastern tour takes me across the South so keep an eye out for those dates on
www.scottbiram.com). Also after the East coast, and after a short down-time back in TX in
October, I'll be headed out on my 

NOVEMBER WESTERN USA TOUR
Joining me as support for the entire Western tour will be my old friend Joe Buck Yourself, and new friend Molly Gene One Whoaman Band... Please keep an eye on www.scottbiram.com as we add the November dates to the schedule...I'll have the new record with me on my West Coast tour. Sorry East coast, it's just not out yet, BUT I'll have LIMITED EDITION 7" VINYL SINGLES ON BOTH TOURS!! This includes one of the songs from the new record, "Hang Your Head & Cry" along with it's B-side studio outtake (not included on full length record), "Growing Old."  Get 'em while we still have them.


12 July 2010

SCOTT H BiRAM ~ Live From Sugarhill Studios

Scott sez ::
Here's a short live acoustic set I did a few months back. This was shot for an in-studio video series at the Legendary SugarHill Recording Studios in Houston, TX. I played a couple new songs that I had only started to write 2 days before. They've already evolved since...

(Don't be scared by the thumbnail on the video.
 It's a dude from NoBunny. Not Mr.Biram)